Everyone was expecting a new Leica L mount camera the other week to be announced during the official opening of Leica’s new HQ. It did not arrive but its still expected soon. We are also starting to get rumours of a new Leica Medium Format camera to arrive before the end of the year. The Leica S system is great, and the lens and quality cannot be faulted with the exception of a far to high rate of failure of autofocus motors in the lens, which Leica say they have now fixed.
With high end now hitting 200 MP and mirrorless cropped medium format at 50 MP from Hasselblad and Fuji the 37.5 MP Leica S2 is looking out classed. They need something soon.
Friday saw the release of new firmware from Leica. The interest for me is that they are re-introducting the aperture guess in the exif data.
The Leica M range have no way of informing the camera what aperture they are using, but in previous M digital cameras like my M8.2 it did make a guess. The M10 did away with that as Leica did not want inaccurate information in the Exif data. Thanks to pressure from the users, Leica have now brought this back.
The weather last week here in the UK has been hot and with bright sun little cloud cover and high contrast, with more forecast to come. Not something we are usually used to here in the UK, at least for more then a few days.
Modern lens are designed for high sharpness and high contrast.
But when shooting some subjects, either into the light, or at high noon, modern lens and high contrast scenes just do not mix.
Here in this woodland scene, the strong light was defused somewhat by the mist and its all been well handled by the Leica 50mm Summilux lens despite shooting into the sun.
Here close to noon in late May the bright sunlight was nearly too much. I wanted a black and white look but the contrast was difficult to handle, so I used the brushes in Lightroom to tone down some areas of the shot and brighten others. Even so its far to contrasty and sharp to be mistaken for a vintage image.
Here with its mix of modern architecture and bright colours, the high contrast seems to work.
Another image I have given the black and white treatment too. Again taken near noon during a walk with Timmy the Greyhound along the Fossdyke Canal. The high contrast of the scene has not really worked.
The last two images actual suite the high contrast. In particular inside of the church. In Adobe Lightroom and the original RAW file there was enough detail to remove the lost detail in the shadow but I decided to leave it with the high contrast and let the dark become lost.
We have a week off now; unlike at Easter where we took off for North Wales to enjoy the snow capped mountains we are staying at home.
Timmy the Greyhound will have us for company for the whole week while we get on with a few garden chores that definitely need doing.
The big job of the week will be cleaning out one of the out buildings at taking the junk we have collected over the last couple of years to the local tip for recycling, and re-felting the chicken coop and building and installing a new nest box lid.
I am not up to date with the state of current Canon cameras, but Nikon currently have a problem thats only going to get worse.
Sony are currently ruling the roost with their 35mm full frame mirrorless. Fuji have built up a loyal following with their DX crop mirrorless cameras and Panasonic and Olympus have their MicroFourThirds.
Neither Canon or Nikon have muchs to show in the mirrorless range and certainly for Nikon, they have nothing. Currently the only thing selling for them is the high end D850 which is arguably the best full frame 35mm camera available today and the end D3400 which is almost always on sale.
I expect that both need a foothold soon in cropped mirrorless and full frame mirrorless.
I have been spending the last year shooting pretty much only with the 50mm. As a walk around street shooting lens its a little long or too short. I have recently switched to the 35mm for my carry around lens and its certainly a better field of view for generally walking around. I miss the Summilux as my 35mm is only a Summicron. Its a great little lens but its got the old style lens hood so I may look out for another version.
I have the standard M10 in Chrome. We have been all waiting for the latest full frame camera camera to be announced but we did get an announcement of a limited edition M10. It looks nice but at $21600, its more then a little steep.
I like the tweaks to the body shape, and often some of the features in these special editions have appeared in later models.
The new Leica park is now open, with the official opening this weekend. Leica can now bring most of the manufacturing together in one spot for there German operations. On site there is a hotel and even a museum so you can stay there, drop your Leica off for a service then have a tour of the factory and a look around the museum.
We had the watch announcement and the rumours were of two cameras also to be announced. One was announced, the Leica C Lux, a rather well specified compact. Its based on the Panasonic but with a Leica manufactured lens and Leica firmware.
The other rumour was of a full frame mirrorless, a camera to partner the Leica SL. This has not yet emerged but I am hopeful it will be announced soon.
A tip I picked up first from a model who also was a photographer and also used by Thorsten Overgaard, was instead of just shooting RAW, shoot RAW+Jpeg.
With Lightroom set to treat the jpg’s as separate files you end up with two versions of each file, colour RAW and a Black & White jpeg. You can then quickly see which one you prefer. Sometimes you prefer the colour and go on to edit the RAW file, sometimes the Black & White. When the Black & White looks fine as it is, no editing is required you can just use the jpeg, but if it needs a little or a lot of editing then you convert the RAW to Black & White and edit it. Editing jpegs is not generally a good idea.