Use your local studios or loose them

Studios come and go, it is very difficult to make money in this space. If you set up a studio for your own use and you can make good use of it, great. If you are putting your studio out for hire it gets difficult. Models booking studio days and amateur photographers want weekends, if your working in the portrait space then your customers want a weekend booking.

One of the local studios I use for fashion work is closing end of this month, which is a shame, there are not many good spaces conveniently located, and travel can become an issue.

I know a couple of local photographers with studios and i’ll be reaching out to them to see if I can rent their space occasionally.

If you have a local studio, do try and use it.

Portrait Lens Choice

Nikkor 180mm /2.8

So back to the what lens question. For day to day use, I often have a 35mm or 50mm on the camera, and I can see why so many people are attracted to the Voigtländer 40mm f/1.2 and Nikon 40mm f/2; but I am still experimenting on what should be my go to lens in the studio.

I know a number of photographers that have standardised on the 24-105; 24-120mm f/4 and certainly for event photography its a very useful range.

A 180mm can be very pleasing for headshots but not one for regular use.

135mm f/2.8

The 135mm f/1.8 Z lens from Nikon looks stunning but is it too long for studio use. I took my 70-200mm f/2.8 to the studio last month and did a selection of test shots at 135mm to see if its a suitable length for general use. I feel that again like the 180mm, it has a place in your camera bag but not for general study use.

50mm f/1.2

So it looks like the often mentioned 85mm is the lens for me for general studio use.

But sometimes for full length shots or when your shooting in a small space, a 35 or 50mm is needed.

So after all that what to own. If your sensible the 24-120mm f/4 zoom, and a 85mm f/1.2 would seem to suite nine out of ten scenarios, and you might want to add a fast 35mm or small space and lower light work.

So what will be in my bag for studio work, likely a 35, 50, 85 and 135mm, so the 85mm is next on my shopping list as I build out my studio primes.

End of Summer – soon to be winter

We had a nice summer, and I managed to get a few summer shoots in.

My last outdoor shoot which was to be last month, had to be cancelled due to the training bringing my model got cancelled as did its replacement.

We have had some lovely days, and I took the opportunity to get out and shoot some film medium format.

Generally though the weather is heading colder and we have been having a little mist in the mornings and some fog at night.

This has led to a few photographic opportunities and a few nice moody pictures.

The final bursts of colour are now coming to the end as we reach mid autumn.

Here’s hoping for some nice days, and of course moody weather to produce worthwhile images.

Can you trust what you see?

Since before digital, in the dark room, photographers have been producing composite images, from multiple negatives, a landscape image with a sky from a different negative.

In my wedding images I shoot multiple shots of groups, and occasionally have to combine them to get a single image of everyone looking good at camera.

Model images, a tweak here and there to soften skin, remove a pimple.

Leica M10

But now with modern AI, we can create what ever kind of image we want. So how can we trust what we see?

Content Authenticity Initiative (CAI) and the C2PA standard hopes to address this. Big players in the software world have signed up, like Microsoft and Adobe. Nikon and Leica are the first camera manufactures to sign up, but its Leica, working with their partners, the German government and Adobe that are the first to release a camera that supports this with a built in image authentication chip.

If you’re interested in Leica’s new M11-P I would suggest heading over to https://www.slack.co.uk/articles/the-leica-m11-p.html where Jonathan Slack will soon have a good overview of the camera.

https://contentauthenticity.org

Busy two weeks for Nikon – Zf and now Plena

A new named lens from Nikon, the Z mount 135mm f/1.8 Plena. We are promised no vignette and beautiful rendition and transition to the the out of focus areas.

From what I have seen from the preproduction models, that is what we have gotten. A stunning lens, not to big, about the same as the 85mm f/1.2 and yes if your asking, f/1.8 at 135mm is more then fast enough to blow away the background and get impressive subject separation.

That now leaves me with a dilemma; the 85mm or the 135mm first?