World PhotoWalk 2013 – Photos

Another great World Photo Walk.  A good walk and the standard this year looking at the local flicker group is even higher then usual.  I have only edited a few of mine so far which you can see above.  The Lincoln shots that the group has put together can be found here:

Its World PhotoWalk 2013 Time

Worldwide Photowalk 2013This weekend is the Worldwide Photowalk, there is still time if you hurry to find a city near you and subscribe.  Its free, its fun and you could win some great prizes as well as make some new friends and have a good day taking photographs.

I’ll try and blog about the day next week and publish a few of my shots.

University in HDR

 

Until then heres a shot I took of the local University on one of the previous photo walks.  Photoshopped and HDR used way over the top but I think the building can take it!

 

Support for smaller formats

Richard & ChrisI tend to use a tripod quite a lot, part of this is down to my camera and lens choice.  Two of my cameras are impractical to use without a big heavy tripod, and several of my lens are far easier to handle with a tripod then hand held.  I have posted about tripods before here, but thought I would mention them with respect to the smaller formats.

My little Leica’s M4 & M8 and my Nikon V1 virtually never see a tripod.  Its one of the advantages for these smaller cameras, being small light and mirror less they can be used at slower shutter speeds with less impact of camera shake.

But one of the advantages of the smaller sensor’ed cameras like the Nikon V1 and Micro FourThirds is the reach one can get and the lower cost of long telephotos.

If you have a long telephoto for your SLR then your long lens may come with a tripod collar who one is available as an option, but if you look at the current long telephotos for the small sensor’ed cameras, none of them come with tripod collars.  This is a major limitation in my view.

Luckily third parties now seem to be addressing this, lets hope the lens manufactures learn from this.

Tripod Collar for FourThirds.

 

Compositing and Backgrounds

Alice

 

I always like where possible to get things right in camera.  The above shot was taken outside in the garden, the sun was a light source but I also used a Elinchrom flash head and large softbox on a C Stand, the flash was actually the main source and the daylight as fill, but often its just not possible to do this kind of thing as the location is not suitable.

It is in situations like this where compositing can be the answer.  You take a photo outside to use as a background and take the main photo in the studio.  You then combine the two using photoshop.

Below is a quick fantasy composite that is not intending to be realistic to show what I mean.Composit

The key to making a realistic composite is making the lighting match and shooting with the intention of making a composite.

Composit Candidate

 

The above shot would make a likely composite.  The plain background was due to a seamless infinity curve in the studio, would make it easy to select just the model and place it on a background.

For the backgrounds I have never had a lot of success but then I read some tips on Scott Kellby’s blog about shooting for backgrounds.

Check it out and have a go, I know I will.

http://scottkelby.com/2013/how-to-realistic-shallow-depth-of-field-backgrounds-for-compositing/

Quality of Light

Autumn's LightYou can find a lot in books and on the web about the quality of light.  While good photography can be done in bright light and high sun the low sun in Spring and Autumn does give one more opportunities.  Now we are in Autumn a walk in a local grave yard revealed a bit low sun catching the top of the angel sculpture.  A simple shot made far better with the low directional sunlight.

Female Tufted Duck
Female Tufted Duck

This shot of a Tufted Duck would look dull without the low sun illuminated it from the front.

Thoughts before the WeddingIts also a technique that can be taken into the studio with this shot above used as good example, a softbox close up from the side with a little fill from a top hair light.

One should consider light for its direction and its colour, when using flash the source size is also an major consideration.

 

Autumn Leaves

Autumn's LeavesNow that Autumn is here I’ll be visiting the local parks most weekends, to capture the changing colours and falling leaves.

My first trip last weekend still had most of our local park in clothed in green but there is a hint of colour starting to appear.  I look forward to the coming months ahead and revisiting these areas, documenting how the light and colour changes.

 

Processing RAW Files under iOS7

If your an iPad user then currently the best option for processing your RAW files is PhotoRaw. With Apples update to iOS7 some developers have taken the opportunity to produce all new versions and have you pay again for the software.  Its nice to see PhotoRaw has been fully updated and is a free update again.

Thistle - PhotoRAW

 

 

Seasons

Light is an interesting thing.  Low sun tends to produce more interesting photographs then high sun.

Lincoln University

The above shot is an exception, taken in the Summer, close to noon with high sun.

Spring and Autumn can often produce better light then the summer or winter.

Somebody mentioned to me that Autumn has now started I was quite surprised I was sure we had a few weeks yet of summer still to go.

So a quick web search was in order, when do the seasons change?

It turns out there are three ways of defining the seasons.  The UK Met Office define them by strict calendar dates; June, July and August is defined as summer.  The way I feel the seasons should be calculated is by using the Solstice and Equinoxes to define the season changes.  The last way of calculating the seasons is by using phenology, so when the leaves start to change colour autumn is starting.

For more information check out the following two sites; The UK Met Office & Space.com

Low End Fuji’s X Trans without the X Trans

fuji X-A1

 

The mirror-less Fuji X-E1 released recently was a slightly new direction for Fuji.  There are a number of defining features that one thinks of when you mention the Fuji X range.  First the X Trans sensor, then the hybrid optical/evf view finders.  Finally the transitional controls with real aperture rings.

The X-E1 had no view finder and also a new range of lens with no aperture ring.  Now we have a new low end model the X-A1, this is similar to X-E1 but without the X Trans sensor; so basically a Fuji X branded camera with none of the features that define a X series camera.

Its an odd direction for Fuji to take, basically this is the same as most other mirror-less options, it will be interesting how it takes off.  I would also like to know if it has the AA filter.  The big thing about the X Trans sensor was it did not need the AA filter so if this does not but has a bayer array then their marketing department is sending mixed signals.