Marketing and Expectation – Leica X Vario

Over the last few weeks Leica’s Marketing department has been teasing us with a slow reveal of their new camera. The new Mini ‘M’.

Leica X Vario

What does the term ‘Mini M’ mean to most photographers?

  • Well a small cheaper version of the stunning Leica M.
  • Full frame or with a x.1.3/x1.5 Crop factor sensor, possibly a 4/3rd’s system camera.
  • Interchangeable Lens.
  • Optical or Electronic Viewfinder
  • Accessory to take the Leica M glass or the a Native M mount.

So that in our minds is a Mini M.

What did we get?

A Compact with a none changeable fixed slow zoom lens and no view finder.

Leica X Vario

Major disappointment and vitriol all over the internet. A very much hated camera and dismissed as not worth considering.

OK lets ignore the marketing and look at the camera.

  • Yes it a compact.
  • Large sensor x1.5 Crop factor.
  • Fixed Zoom Lens.
  • No view finder but can use Optical or Electronic optional view finder.
  • No way of adding additional lens.

The zoom lens is a little slow which a lot of people are complaining about but its only 2/3rd of a stop slower then f/2.8 at f/3.5, and is slower to keep down the size. As an owner of the small and slow Leica Elmar 24mm f/3.8 which is often dismissed, I was initially disappointed with the aperture but when one considers the design limitations of producing a small high quality large sensor compact then one can see why they picked this. The slow Leica Elmar is the highest quality 24mm lens Leica make and delivers stunning optical quality. Lets hope this zoom lens follows in the foot steps of Leica’s other slow lens.

From the videos I have seen and comments from people who have handled the camera, they also say the quality is exceptional and the interface and controls are up there with the very best. So it has the Leica Quality, unfortunately is also has the Leica Price Tag. For me the down sides of this camera is the price and the lack of built in viewfinder. The surprise was the manual focusing, it looks like one of the best thought out manual focusing method of any compact camera I have yet seen. I would be interested if the camera supports focus peaking.

Looking at the other fixed lens compacts with large sensors the Leica does stand out with its build quality and the fact that it is the only large sensor’ed fixed lens compact with a zoom. Is it worth the money, well for me no, but it is a good camera and currently one of a kind. One does have to consider that for that money you can buy a Sony Nex-7 and a couple of good lens.

So a camera that does not deserve the bad write ups its currently getting; it is not a Mini Leica and the Marketing department should hang their heads in shame but its not a bad camera, its a very good camera with some excellent design touches. If money is not a consideration then its well worth thinking about.

Shooting in RAW and or Jpeg

RAW verses JPeg.  Which to use.

RAW FIle with Extensive Editing
RAW FIle with Extensive Editing

Its an old Argument on the forums but JPeg seems to becoming more popular again, but why?  Well in Camera processing is a lot better then it used to be, and the connivence and ease that it gives certainly speeds up the workflow.

Once the photographs are imported into my DAM Package (Digital Asset Management) they then have meta data and keywords added to them.  Even with import scripts and presets it is still quite a bit of work.  Its worth it though as anyone who has been approached by a buyer who wants to purchase the high quality original to the small jpeg you have placed on Flicker or your Blog will testify.  Being able to quickly and easily find your work, a week, a month or even five years later can mean money in the bank, and not being able to find it a lost sale.  Keywording and adding Meta Data to your photographs is essential to any semi or full time professional photographer.

But back to the original question; what about editing and post production?

Out of Camera JPeg
Out of Camera JPeg

The above two pictures show a edited RAW file followed by the out of camera jpeg.

Some of the in camera jpegs do look a lot better then the raw files imported into your favourite raw processor.  It is a complaint that a number of photographers make.  The image they see on the back of their camera is nothing like the RAW image they see after importing into Adobe Camera RAW/Lightroom.  What a lot of people don’t realise is that modern RAW software is designed to give a basic flat image.  It is then up to the Photographer to take that image in the direction they wish to go.

My out of camera jpeg is certainly not as good as it could be, there are lots of in-camera settings to improve things, but what people don’t realise is that the histogram is based on the in-camera JPeg.  So if you tweak the JPeg you are altering the display of the histogram.  Currently only the Leica Monochrom can display a real histogram based on the RAW file.  White Balance also has a major impact on the histogram.  I try to have my JPeg settings configured to give me an accurate as possible histogram.  In the above shot my White Balance is out due to the complex mixed light source, if I had got this right in camera then the JPeg would have been better.

So the top image has had a lot of tweaks and adjustments made, while the second image is just an out of camera JPeg.  Is the added work necessary and worthwhile?

Well this example may be a little extreme, the lighting was mixed light sources, the contrast high and the exposure difficult.  I got the shot wrong in camera but as I shot RAW and JPeg, I had the RAW to fall back on.  RAW files can be edited far more then a small 8 bit JPeg.

For an outdoor street scene the in-camera jpeg and processed RAW would likely look the same, in fact the JPeg would highly likely be better.  In that situation one would likely say that the extra work involved in shooting RAW is not worth it, and I would likely agree.

But what about in this example.  The out of camera jpeg is reasonable, but by editing the RAW file, applying a simple preset and then a minor adjustment with a bit of additional burning and dodging, the image pops that little bit more.  But is the extra work worth it?  I suppose it depends on the image and the end result.

JPeg from RAW no Editing
JPeg from RAW no Editing

Get it right in camera and if your intending not to do any intensive post production then the JPeg will be fine.  If your not sure you are going to get it right in camera or are going to do a lot of post production then shoot RAW.

So what do I do?  Well I tend to shoot RAW and JPeg, but I have the JPeg set to Black & White.  That way in Lightroom I see images side by side, one colour (the RAW file) and one Black & White (the JPeg), I can then see at a glance which I prefer, colour or Black & White.

JPeg and Raw in Lightroom

For personal work JPeg is a good option but while many currently professionals are saying that they use Compact Mirror-less Systems and shoot in JPeg it should be remembered that for their commercial work they are often shooting RAW on Medium Format, then at the end of session are shooting some personal stuff on mirror-less in JPeg and posting straight to their blog.  One is given the impression that Pro’s are now all shooting that way.

 

Lightroom V5 is now here

I have blogged previously about some of my testing of Adobe Lightroom V5.

Well this morning while checking out Leica and Apple Rumour sites looking for information about the new Leica Camera that is due out this week and for new about WWDC for Apple news, they both had articles announcing the release of Adobe Lightroom V5.

You can also get more information from Chris Bennet’s Blog here.

iPad in the Field – a comparison

A few days a go, I published an article where I shot a RAW photography in the evening then before getting back to my computer I had saved it to my iPad, processed the RAW file into a jpeg, then edited using layers in Photoshop Touch, then published the result.

All done on the iPad with quite good results I think.  Yesterday I looked again at the original RAW file and decided to process it and edit it again on my laptop using Adobe Lightroom and Photoshop.

If you want to see the original post its here.

First of all here is the original RAW file processed into a jpeg.

Air Pump - RAW File

 

In this image very little has been done, except a little fine tuning of the highlights and shadows so that all the image can be seen and a little import sharpening.

iPad edit

 

Now above is the image that was produced on the iPad.  Similar to the original file but more to how I envisaged it, when I took the photograph.  I kind of saw it in black and white but the red door took ones attention.  That night on the iPad I loaded the file that I had processed in PhotoRAW and took the jpg into Photoshop Touch.  I selected the red section copied it to its own layer, I then turned the underlying layer to Black & White, darkened the result and then wrote the blog post and published.  All from an iPad.  I think that is quite an achievement and am very proud of the resultant image.

People have said since the release of the iPad that it is a consumption device, but I think the above image proves that devices such as the iPad and the Android (Insert your favourite Windows RT/Palm WebOS Tablet OS here!) tablets can be used in the field.  With their light weight, instant on and good battery life, they make an excellent device for basic editing in the field.

Of course you are all saying that you could make a better job using a laptop, but the iPad fits easily in my camera bag and I do not really notice the weight and do not have to bother with the charger.  The truth is I can make a better job with my laptop but do I want to always carry it with me and then share the results of my work with the world.  Well yes I want to share but the weight and convenience of the iPad will win out.

Photoshop

 

Here is the version produced on my laptop using the full power of modern software.  Better, well yes but the other image is close, and more importantly, I could experiment in the Pub (Scottish Bar) a few minutes after capturing the image and produce a nice peice of art.  A few days later when I had the time would I have remembered to edit this again on the laptop to produce this without already have producing a draft on the iPad.  I don’t know but its food for thought.

PS.  Dear Apple if your thinking of producing a sub £1000 11″ MacBook Air with a 1400 x 900 display, with battery life close to an iPad, and a 250 GB or more Solid State Hard Disk then please let me so I can replace my iPad.

Shetland Islands – Wildlife

Puffin on CliffThe Islands as well as being blessed with wonderful scenery also have lots of wildlife.

I did two wildlife shoots both of the birds that come to the island. The intention was to shoot surf birds and I also wanted to capture a Puffin.

I had tried to photograph Puffins before on the trip to Harris a couple of years ago, and while I managed a few shots, of them in flight from on deck of a ship the photographs show mainly blurred specks in the distance.

Eider Ducks

After shooting the remains of a Viking Hall on the main Island I headed to the nearby beach where I had spotted a number of small birds feeding on the beach.  The tide was going back out and the number of birds feeding on the beach had reduced but there was now some Eider Ducks swimming and feeding just offshore.

I setup on the beach with the Nikon D200 DSLR and my longest lens and waited.  Walking onto the beach had scared away most of the birds but it was not long before a few started to come back.

Shetland Wildlife

 

Once they started to feed I kept moving forwards, when they stopped feeding I would stop and wait.  It did not take long before they started to feed again, and once again I would move forward some more.

Shetland Wildlife-3

Its challenging photography and needs time and patience but one can get some rewarding images.  What I learnt from this session is that its better to photograph on an incoming tide then outgoing.

For the second wildlife photography session I was intent on capturing the Puffins.  The best place was the southern cliffs next to the lighthouse on the main island.  There is a car park nearby but its still a good walk to the top of cliffs.  The RSPB have a notice board showing what species have been scene recently.  One surprise entry was that a pod of Orca had swam past the southern tip of the island the previous Friday.

Puffin

We climbed to the top and setup; there was lots of nesting birds but no Puffin’s in sight.  After a short wait a Puffin eventually emerged from one of the many holes in the cliff side.

Puffins

 

It was one of the cooler days we had experienced on the island and most of the Puffins seemed to want to stay in their underground burrows, but as the sun came out so did the Puffins and I managed to get some good shots of them emerging from their burrows.

As you can see from the above photographs I finally managed to get some pleasing photographs of Puffins.

Shetland Islands – Landscapes

Photoshop TouchIt took a while but we finally arrived and settled into our cottage we had hired for our time up here.  The scenery outside the window was fantastic, wherever you go on the islands the views are fantastic.

In someways it can be a difficult area to photograph.  You need to choose a focal point, dramatic landscapes you see with your eyes and feel in your hearts do not translate well to photographs.

As I have already mentioned in previous blog entries; on this trip I did not take a laptop with me but just the iPad.  The above photography is a bit of a cheat, with the hill behind the stone there is no sign of human habitation, but in the above view there is actually a power cable running across the scene.  I’ll be re-editing this shot in Adobe Photoshop but this version was actually processed on the iPad.  The RAW converted to a jpeg with PhotoRaw and then taken into Photoshop Touch to have the wires removed.

It is incredible what you can accomplish now with these tools.

We visited quite a few of the islands and I found a number of locations that will make fantastic photographs, but I actually only took two large format shots.  Most of the photography was snapshots for future reference using either the iPhone or the Leica M8. The problem was the light.  The weather as you can see above was fantastic; that is fantastic for a holiday not for dramatic photography.  We were closer to the arctic circle then we were to London and the days and nights merged into one.  It was not often dark and the sun too high for great photography.  Still I got a few nice shots and have found some locations that I’ll be revisiting.  I’ll certainly be visiting next time closer to the equinox then to the Summer Solstice.

Arriving on Shetland

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The overnight ferry arrived in the capital Lerwick at 7am. We had a walk round the town and enjoyed a large cooked breakfast when we found an open cafe.

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The town has a mix of modern docks but also some of the small original Victorian docks, little used now but very photogenic. The new Shetland Museum and Archives are next to the original docks and one can easily while away a couple of hours.

I’ll be spending the next few days scouting around the islands and finding good locations. I’ll also be visiting the beaches and cliffs in the hope of getting some good wildlife shots. It will involve a lot of walking and we intend exploring some of more remote islands.

Travelling up to Shetland Islands

The Shetland Islands are some of the most beautiful islands in the British Isles. The easy way of getting there is to fly and to hire a car. We did it the hard way, a long drive up on day one, stopping at Kinross.

Day two was and easy drive to Aberdeen where we caught the over night ferry to Lerwick, the modern capital of the Shetlands.

Once on board we found some comfy recliner arm chairs and made ourselves at home.

The ferry was due to depart at 19.00 that night. Just before we set sail I headed up on deck with the Leica M8 and the 35mm Summicron.

I photographed a few structural items on deck and also took a few shots of Aberdeen with my iPhone which I tweeted (@r1chardbwrn).

As the ship started to sail we had quite a crowed join us on the top deck, as well as photographing the city, disappearing into the distance and setting sun, I photographed some of my fellow passengers as we watched the city disappear over the horizon.

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I thought the people on board made more interesting subjects then the scenery.

When we took the ferry from the Isle of Skye to the Outer Hebrides I took the SLR, long lens and monopod, this time with it being an overnight ferry to the Shetlands, the big lens and SLR’s were safely tucked away in the boot (trunk to our American Friends) of the car. I spent the crossing trying to photograph the puffins. So this time my subjects were the ship, crew and passengers.

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That evening I once again backed up my shots to my iPad and added keyword and metadata information to them using the PhotoSmith App. Time to sleep and rest ready for our arrival on the Island.

iPad Photo Editing in the field

The iPad (or insert your favourite Android, Palm WebOS tablet OS here), are consumption devices and toys not suitable for real work is what you are always told.

Well to be honest they’re not suited for Photography heavy lifting but its surprising what you can accomplish.

I went out with a small Billingham Hadley Bag carrying an iPad, Leica M8, spare memory cards, camera batteries a couple of lens for a walk while the rest of my Photo gear was safe in the hotel.

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I took photographs of the pretty little church, a few other buildings and a few people who looked interesting.

We then passed a rather small old garage that had stood unused for a number of years so I had to take a few shots.

After a meal we were relaxing and I decided to see what I could do with a few of the images. I have a iPad2 and using the camera connection I imported all my photographs, I usually make a backup of my photographs at the end of the day like this when I do not have a computer to hand. This then gives me two copies, one on the memory card and one on the iPad, once back home I always ensure I have three separate copied before wiping the cards.

Once on my iPad my first job was to use my PhotoSmith App to create a collection holding today’s Photographs, then I added location meta data and keyword’ed them. This App can then sync this information over to my master Lightroom Catalogue. I then used my new Raw processing software PhotoRaw. I loaded a few images and created a few full sized jpegs with a few tweaks.

The photograph of the garage was one I most interested in. I thought as a desaturated imaged leaving a little red in the imaged but removing the rest would work well. The kind of work I wanted to do really needed the HSL model of Adobe’s Lightroom but what can you do on an iPad?

With the garage image in PhotoRaw I had the import sharpening set to Auto, I have tested a few of the manual sharpening import options and there is even a setting for my Leica but Auto seems to produce the same settings as the Leica setting and seems to give the best results.

I gave the image a slight contrast boost, lifted the shadows and warmed and desaturated the image very slightly. I then saved it as a full sized jpeg and opened the image in Photoshop Touch. A quick selection of the coloured area to place it on its own layer, I could then turn the other layer into a Black & White image. Another layer containing the inside view enabled me to brighten that area. Once again it was saved and then opened in SnapSeed, where I warmed the image and added the frame. And so there you have it. An imaged processed from the Raw and the published on the web, all using my iPad. Even this post was written and published using it.