Paper Comparison Test 1 – Epson Hot & Cold Press, Natural, Bright & Hahnemuhle

Paper testing – Matt Papers and Canson with BK Ink as a Control Paper

At the weekend I finished typing up my notes from my testing of the Epson papers and comparing them with a few others I had around, I hope you find my notes useful.

The papers tested here are all heavy weight cotton papers, they feel good in the hand and they have a matt finish.  They all use the MK Black Ink not the photo black so they can never give as intense rich blacks as typical glossy photo paper; with these papers its all about the feel and the texture, they are object of art to hold and to experience.

Lightroom Settings

I also printed the test images on Canson Infinity Baryta Photographique, rated by many photographers and fine art printers who I trust as one of the best papers currently available for Image Quality, Dynamic Range and Sharpness.  This is not a true matt paper and uses the Photo Black Ink.

All these images were uprez’ed in Lightroom V5.3 to 720 ppi as all were above 360 ppi and printed to my new Epson 3880 at 2880 dpi.

Printer Settings

As I had selected 720ppi I needed to make sure Finest Detail was selected.  I believe in the manual it says to use this only for vector graphs, but I know of some one who knows the Epson printer driver software team and this setting tells the printer driver that the computer operating system is out putting at 720ppi and not 360ppi and you get better quality.  Note if your a canon printer user use either 300ppi or 600ppi.

The Epson is best when accepting either 360ppi or 720ppi depending on the printer driver settings.  You can send anything you like and the printer driver will uprez or downrez as required but its not a very sophisticated algorithm, the one in Lightroom is about the best there is.  It even gives better results then Photoshop CC.

If your not using Adobe Lightroom as your printing program then a) why not, and b) ignore what I have written so far and use what the program recommends.

For the test images I picked a selection that is representative of my work.

PaperTestA Studio Glamour Portrait of Lisa.  The red is very difficult for matt papers to handle and out of Gamut for most.

 

Censored to make it family friendly.

PaperTest-5Art Nude High Contrast Black & White of Amy Rose, a very difficult picture to print well with the deep shadows and blown highlights.

 

 

PaperTest-4A Typical Wedding Day Portrait; Crystal and Chris on their wedding day.  The Stone, Tree and Cream suit and white dress a challenging mix of colours for a matt paper to get right.

 

PaperTest-3

One of my desaturated soft landscapes, very suitable for warm textured paper but would the detail come through.

 

PaperTest-2

This was just a grab shot, nothing special but the blue sky, green grass and fine textured stonework would be a good test.

Here are my Notes:

Hahnemuhle Photo Rag Satin

A beautiful natural looking subtle textured paper.

Best Textured for Weddings.

Good general purpose matt textured paper will suit many subjects.

I bought this paper for a particular project and it looks like not only will it work well for that project i’ll be getting more as my go to textured paper.

 

Now get to the main part of this test the Epson papers consisting of:

  1. Epson Hot Press Bright
  2. Epson Hot Press Natural
  3. Epson Cold Press Bright
  4. Epson Cold Press Natural

The Hot Press have a very lightly textured surface, while the Cold Press are a heavily textured almost hand made water colour style of paper.

The Bright papers are pure white and use OBA’s (Optical Brightening Agents) and the Natural are a warm gentle creamy white without OBA’s.

 

Epson Bright

Hot Press

General Landscapes very good natural skies

Suites wedding dresses better then Natural papers.

Good texture; not too textured to interfere with fine detail.

Cold Press

Wonderful water coloured styled paper, lots of texture, suits my soft focus landscapes.

Both brights can be a little two bright for some subjects but slightly more accurate whites then the Natural and blue skies were rendered better then the Natural Papers.

Epson Natural

Hot Press

The white is very warm does not produce accurate colour on some whites, not suitable for weddings as the white dresses become slightly cream.

A warm paper very pleasing for my art nude work.

Cold Press

Very good for some soft focus or destaturated photographs and black and whites.

Heavy water coloured texture and warmth very pleasing but needs right subject.

Natural papers have warmth so can affect whites, gives a pleasing result but not for all subjects.

While I stated the Natural does not have accurate colours for weddings as the whites can come out cream, I can see because of the texture of the Cold Press Natural some wedding customers loving this paper when printed big as it looks almost like a large painting due to the watercolour feel.

Canson Infinity Baryta Photographique

Image quality, sharpness and colour gamut far better the the four Epson papers but then the Epsons are for a very different purpose.

Canson can seem a little cold compared to the Epsons but image quality cannot be matched.

Not as heavy a paper as the Epsons does not give the feeling of quality or make you think you are holding an object of art.

 

Summary

All the papers are very very good and in practice there is very little in it, we are splitting hairs here.  If you need the Dynamic Range and Colour gamut then the Canson is the one to go for.  I was extremely impressed with the Hahnemuhle Photo Rag Satin, noticeably its suitability for many subjects, I shot, Glamour Portraits, Art Nude and Wedding Portraits on it and the gentle texture and good colour suited everything.  I loved the heavy texture of the Epson Cold Press, but this suited only a narrow range of subjects.  The Epson Hot Press did not hide the detail as much and so suited more subjects.  The big question is OBA’s do you go for the Bright or the Natural.  The whites have a better impact on the Epson Bright but behind glass or perspex you would not notice.  The Natural was slightly warm and if your shooting wedding dresses or fashion its not the paper to go for.  What would I pick? Well for me it would be the Hahnemuhle Photo Rag Satin and the Epson Cold Press Natural.  For me they are the best matt papers of these.

 

Papers and OBA’s

Epson 3880If your into printing then there is a hot and vocal debate on the use of OBA’s.

First what is an OBA?

Well its an Optical Brightening Agent.  In the old days this was a coating on the paper, now most papers that have OBA’s have it built into them.

What does it do?

It turns Ultraviolet light outside of the visible spectrum and fluoresces it into white light that can be seen, this then gives a pure bright white that makes the blacks look black and improves the contrast of the image.

So why the debate?

Well back when they first came out the coating wore away, not an issue as then the paper acts like a natural paper, the issue was it wore unevenly and made your prints look blotchy.

Manufactures say they have now fixed this and that they will wear evenly, but many photographers and printers who want the work to last do not trust them anymore.

If your picking a paper that uses OBA’s you also need to consider how it will be displayed; if framed behind glass or most modern perspex then it will not work and you will get a normal white.  If its framed in a room receiving little natural light then again you will not get the affect.

I have been testing some papers recently that have OBA’s and the whites can be better then naturals but there are also other methods to get a better white that can be used.

Film Friday – Chimping on Steep Hill

Leica M4, Summicron 35mm Ilford Delta 400
Leica M4, Summicron 35mm Ilford Delta 400

Time for another film Friday, on one of my regular excursions up Steep Hill in Lincoln I spotted this gentleman taking photographs of the old Jews House.  I could not resist getting a shot of him ‘chimping’ at the results.

As usual for my 35mm film work it was taken on my old Leica M4.

Nikon D800 quality in a Mirrorless Package – Sony A7(R)

Sony Alpha A7r

Theres a lot been said about the Sony A7R and A7.  The most common comments its that its a Nikon D800 in a small mirror less body.

I have used one a little at camera shops and trade shows and read a lot of reviews from photographers I trust.

For now the cameras as a system is limited due to there only being four lens released.  I have been considering them as potential spare bodies for my Leica M.

Part of me does think whats the point of these cameras, with sensors that good and full frame, then to get the best from them you need a heavy tripod and excellent camera technique.  The Nikon D800 can suffer a little from camera shake at 1/5 to 1/200, a well weighted tripod and mirror lockup is required but interestingly the Sony A7R also seems to suffer from shake introduced from the shutter in a similar shutter speed range, with no mirror all you can do is utilise a very heavy well damped tripod.

The other issue I have found in my testing and research is that the Sony is using a lossy 11 bit compression on its raw files, and it is noticeable in big prints.  The D800 can do genuine 14 bit lossless, when your pushing the limits of dynamic range the Sony can produce posterisation.  Why put a class leading sensor in your camera and then cripple the output.

Its not just the Sony A7 range that Sony have done this, the RX1 also suffers from this, hopefully Sony will fix this in a future firmware update.

Interestingly if your a jpeg shooter the conversion to a jpeg takes place before the lossy compression so you can sometimes get better results from the jpegs.

So for me the Sony A7 range and the RX1 compact is off my list.

 

Paper Profiles, Installers and Documentation

Lisa

 

Its been a busy week so far, buying paper and testing on my Epson 3880.  I have selected a set of images that are typical of the type of photography I do.  With these images I have been doing lots of printing on Tecco, Epson and Canson paper.

To get an optimum print you need a) a good icc profile which all three manufactures do have on their websites but also b) the correct printer driver settings for the paper type.

Epson is the easiest with it being an Epson printer, but its interesting to note that you cannot download just the profile, you have to download an installer that installs the icc profile and creates a folder with the documentation you need.  For some reason Epson have not signed the installer so if you are a Mac user, your Mac will refuse to install the untrusted application, its amazing that a company the size of Epson forgot to sign the installers.  They remembered to install the printer driver installer!

Security and Privacy

If you have not already you will need to pop into Security & Privacy and change your downloaded apps settings to Anywhere.  The installer will still fail if you just double click on it, you will have to command click and select open, that will then give you the option of running the installer.

All three of the paper manufactures have all the information you need to make quality prints but the information can be hidden on the website.  It was certainly easier to find on the Epson and Canson sites then on the Tecco.  Though I could not find the paper profile page on the Epson site, but my search engine did.

Quality Images ver Image Quality

Nikon D200
Nikon D200

If you visit for internet forums you will find that camera x is rubbish and camera y is the ultimate.

Best DSLR Camera, Nikon, Canon etc, you will see people shouting that one the best and the others are unusable, incapable of producing a decent image.

Leica M8 & 50mm Summilux ASPH
Leica M8 & 50mm Summilux ASPH

Others claim that the SLR is dead, mirror less is where its at.  MicroFourThirds rules, No! Sony Full Frame A7R rules, no you need Fuji and its X system.

Nikon V1 10mm f/2.8
Nikon V1 10mm f/2.8

Others its all in the glass, you have to use Leica Glass, or no it has to be Canon L glass.

Well if the image is only going to be printed as big as A4 or is being shown on the internet, you can get excellent results from just about any camera.

The above shots are taken with a mix of cameras, from Nikon D200, Leica M8 to a little Nikon V1.  Below an old Nikon S3 compact.  Looked at from a 2014 perspective these cameras are old and one would say are past it.  The S3 was a 2005 camera as was the Nikon D200.  The Leica M8 was released in 2006 and the Nikon V1 is my most modern digital camera used in these photos released in 2011.

Nikon S3 Compact - Whitby Lady in Black & White
Nikon S3 Compact – Whitby Lady in Black & White

I think you will agree these four photographs are very nice quality images, they will all print well to A4 and I feel tell a story to the viewer.  The cameras: well apart from us photographers, who else is really interested in what camera was used, it does not matter.

Yes the V1 being the most modern has the least noise, the Leica with its CCD sensor and Summicron lens a little bit more film like.  The SLR was the easiest to use, but what is important, a quality image or image quality?

Paper Testing – Tecco

I am still in the early days of paper testing but already have some papers that I like.  As my local camera shop stocks Tecco Paper this has been the first paper I have tried.

So far I have tried the the following:

PUW285 Glossy Ultra White

So far I have printed some of my landscapes and some wedding portraits on this.  Its an incredibly sharp paper, the image quality is excellent, and its very bright and punchy with great DMax, with it being glossy it does suffer from reflection but its the kind of paper I feel that customers would like feeling and looking like a traditional glossy photo paper.

 

PPG250 Pearl-Gloss Super

This has been my favourite so far, its not as reflective as the glossy and makes lovely looking wedding portraits.

 

BT270 Baryt

This is a mat looking paper but uses the gloss ink for the higher DMax.  It feels heavy and has a subtle texture, it has produced some excellent black and white street shots, I also tried it with some high contrast black and white nudes and did a direct compare with the same image on the PUW285 Glossy Ultra White.  The  dynamic range of the glossy did result in better handling of the contrast of the image but the shine did not suit the surface.

 

BP210 Buttenpapier

This is a very interesting looking paper, it looks like hand made paper very much like traditional watercolour paper, I printed a black and white wedding portrait on it and it looked stunning, the feel of the paper makes the print very much an object to enjoy, not just the look but also the feel.

Its a paper to be used carefully, not all subjects suit this paper, its a genuine mat paper that needs mat black ink so the blacks can never be as intense as say the PUW285 Glossy.

I still have a few more Tecco papers to test and even if I decide other papers are better its been worthwhile to get up to speed with the finer details of fine art printing.

Now that I feel I am getting the hang of the printer, and of soft proofing the prints in Lightroom i’ll be picking up more trial packs paper and selecting nine or ten images that are representative of my style of work and seeing what paper works best.

I have so far ordered some Epson, Canson and Hahnemuhle paper.

I’ll also be picking up some Somerset at some point and possibly some Permajet.  I am not sure about Ilford as its unknown if they are going to continue to make paper.  I want to get down to two or three papers that will suit all my needs.

Paper and Ink

Tecco BT270The issue most people have with printers is the cost of ink, its not cheap and if all you are doing is printing documents from a spreadsheet or word processor then cheap third party inks are an option.

What about the high end photo printers, well thats a little different; while we all like to complain about the cost of ink it is how the company make their money.  The printers for what they are and what they do are really quite cheap now.

The higher end printers are a lot cheaper to run, while a consumer inkjet may have cartridges that contain as little as 18 ml of ink the high end start around 80 ml and go up to about 3/4 of a litre, they are far cheaper to run but still not cheap.

The question to ask yourself is why did you spend all that money buying an expensive high quality printer?  You wanted high quality prints.  That means good ink, good paper and lets not forget a fully colour managed workflow.  Whether you create your own icc profiles for the paper or you download the profiles the better paper manufactures have on there website.

The printer manufactures do spend millions developing their inks and papers and to get the best quality their ink is usually the best option.  There are a small number of specialist ink providers that offer specialist inks such as quad tone Black & White etc but these are very specialist items, in general your better off with the manufactures inks for best quality.

With paper I recommend going with companies that offer good support, you want documentation detailing what driver settings to use or what custom settings, e.g. what resolution to set, whether it supports Bidrectional printing or if its a slower to dry paper then single direction, colour density, paper tray and if you can get the information the platen gap, but that may have to be a guess.  If your using thick paper then you may need to change if from Standard to Wide.  The Epson 3880 has usefully named settings of Narrow, Standard, Wide, Wider and Widest!  Start with Standard and if you get a head strike which I did when testing the Tecco BP210 Buttenpapier, try Wide.

Epson Printer Installation

Epson Driver

 

Printer installation has not always been the easiest of things, though over the last few years things have gotten a lot better.

The first tip I can give you is generally bin the CD that comes with it (well file anyway).  Generally the drivers and utilities that come on the disk are a) out of date and b) will install a lot of rubbish on your system that you do not need.

Go to the printer manufactures website and get the latest business version of the driver.  Often the business version is just the driver ready to be installed on a print server which is what large companies with IT departments want.  The consumer version of the driver tends to come bundled with lots of ‘useful’ items such as a new customised search menu for Internet Explorer and other such handy goodies.

I downloaded the quick start guide from Epson’s website just in case the information now was a little different to what came with the printer.

Some printers have to be plugged into your computer before you switch them on, others have to complete a setup and you must not have your computer connected.  I know some insist the driver is installed before you connect to your computer and others that you connect your computer first and then when it asks for the driver you install it.  Its always worth reading the manual first.

With the Epson the first task after unpacking and removing what feels like hundreds of pieces of small blue tape from the printer is to power it up unconnected to your computer or network.

It will then automatically pop open the ink draw allowing you to install the ink.

The printer then takes about 5 to 10 minutes to prime, while it was doing this I installed the printer driver from Epson’s website.

With the printer primed and the driver installed it was time to connect.  This printer will be used by several computers so instead of connected it to my office computer I plugged it direct into my office switch via the ethernet port in the back of the printer.  This printer is not wireless but then if you need that you can always plug it into a Apple Airport like device.  It was then just a matter of going into Settings, Printer & Scanners, and clicking on the add printer button, the Epson appeared in the list, so I so selected it and that was it, a very painless installation.

Epson Ink statusMy first trial packs of paper have now arrived and I have started to test.  The results are excellent and I must say the Soft Proofing in Lightroom V5 with the paper profiles installed is very accurate at predicting the final results but i’ll discuss that in a latter blog post.

 

Epson Stylus Pro 3880

A printer that can print 17 inches wide has been on my wants list for quite a while now.  Having the flexibilty to print up to 17 inches wide in a desktop printer is very useful.  Unfortunately while the Epson Stylus Pro 3800 series is the smallest foot print wide format printer its still not exactly small so its been on the waiting list until we bought the new house.

Epson 3880

 

If you check on Epson’s UK website and also other online retailers the price differs by as much as £300.  At the Photography show last Monday I visited Epson’s stand and had  a look at the Pro 3880 and the smaller R3000.

The R3000 is A3 the Pro 3880 A2+ and there is not a big difference in the physical size.  Running costs is also a consideration as is build quality.  For a consumer printer the R3000 is one of Epson’s better high end printers.  The build quality is very good and as good as the professional services models.  The running costs are another thing; while the R3000 has fairly large economical cartridges for a consumer inkjet printer at 28ml, the Epson 3800 series has 80ml cartridges for not much more.

Epson were not selling printers at the show but they did give me a card to take to one of their dealers who was at the show selling printers.

The show price was about as cheap as I had seen it on the internet, the difference being this was a well known supplier not an unknown company.

When you factor in the retail costs of the ink the printer only cost £370, but then who pays Epson retail costs for ink cartridges, I have seen them range from £30-£48 for the same Epson branded cartridge.

They did not have any of the printers at the show but were willing to sell me one at the very good show price and three days latter the postman delivered my shiny new Epson to me.

I have ordered a number of trial packs of paper from various companies including Epson and have selected a series of images that represent my style of work to test with.

I have also ordered a full set of new cartridges, with the first set needing about 20% of their capacity to prime the lines and print head and with the extensive testing I intend to do, I am not expecting the first set of ink to last long.