Author: Richard

Sounds easy does it not. Super Telephoto for wildlife, mild telephoto for portrait and Fashion. Wide Angle for Landscapes, nothing to it.

Well actually no, it’s a lot harder then you may think.

Possibly the easiest choice you might think is if you are a bird photographer, then you want a 800mm lens. Just pop down to your local camera store and pick one up.

One you have picked yourself off the camera store floor after fainting at the price you then start to compromise.

It’s now you start to realise there are a lot of choices to make.

You want a lens that can be used handheld in low light, built in VR or IS, maybe f/2 or faster to let in lots of light, produce those dreamy out of focus backgrounds you like.

You want a zoom that can go from 24-300mm on a full frame camera and is small and easy to carry.

Your shooting Architecture and every line should be straight and perfect.

There are lots of lens out there but your going to have to think long and hard about what you want to photographer and how you work.

If you travel long distances on foot to get to your chosen shot, then a zoom or a couple of light primes maybe better for you back and health, then the thought of carrying the big heavy optically ‘Perfect’ lens, heavy tripod etc.

So for me what would I pick.  Well for me weight is not generally a consideration, I would choose a lens over its optical quality then its convenience or weight.

Well first there are Landscape & Architecture wide angles:

• 20mm f/2.8 Super Wide Angle or the Nikkor 14-24mm f/2.8
• 24mm f/3.5 PC Lens
• 35mm f/1.4

Every Day Standard Lens:

• 24-70mm f/2.8 Nikkor Zoom
• 50mm f/1.4

Telephotos suitable for portrait, fashion and wildlife photography:

• 70-200mm f/2.8
• 85mm f/1.4
• 105mm f/2.8 Macro
• 300 f/2.8

So thats my list, what would you pick?

Sunday we had plans for a walk at the coast, but with the snow on Friday night and then the heavy thaw the rivers were swollen, and some roads flooded.

So instead I decided to make a visit to another local park.  This time it was Boultham Park.  I have fond memories of this park as I used to live close by.  There used to be a lot there but in the 1980’s it became run down, but now its being restored again and is well worth a visit.

Chris was also up for a bit of bird photography so we met just after dawn at the park.

We entered the park from the church side and as we approached the lake we spotted our first wildlife, a group of Mallard Ducks.

At first there was little light and most of my first shots were blurred even with the ISO cranked right up.

The Sun did eventually make an appearance, but photography was still difficult.  Because of the ice still covering most of the lake, the majority of birds we on the North side, so to get close we ended up having to shoot into the sun.  It was bright and contrasty causing issues with my exposure.

 

As we slowly made our way along the lake, the light improved and we spotted a number of interesting species of Duck as well as some Moorhen and Cootes.

As you can see above, quite a productive day with some nice shots.  Yes they could have been a little better exposed and sharper, but Wildlife Photography in the cold and poor light of winter is trick, and for only my second trip out out of the year I am very pleased with the results.

As I wrote the above title, I suddenly thought that I had it wrong.  My budget gear consists of a Nikon V1 system.  Actually this is not a cheap system, something like a Nikon D3100 and a 70-300mm lens would actually work out cheaper and better, but there are some amazing deals at the moment, and the discontinued V1 is now quite a bargain, unlike when it was first released.

The advantage of the Nikon 1 is its size and as I had commuted into Lincoln on my Motorcycle, the full Nikon 1 kit easily fits in my tank bag together with a change of clothes.

So Wildlife Photography on the Cheap, what do you need, well basically I have already said above, a camera has a bit of reach.  The Nikon 1 system is a very fast focusing mirror-less camera and while not as good as an SLR is an option for this type of thing if you can put up with its issues.

The other thing to consider is what you are photographing.  I know of a photographer that instead of a long lens uses bait to bring the wildlife to him.

Today instead of using bait, we had the benefit of ice.  I was photographing in the middle of Lincoln, by the Brayford Pool where I went Kayaking a few months ago.

With the cold weather a lot of the Brayford Pool is now iced over, this has forced the wildlife a lot closer to the bank enabling you to get some good shots with easy.

So in my previous post on Camera Choices, I made some generalisations about what camera types I would use for each of my chosen genres.

But lets look at actual models.  If I had the unlimited funds for my GAS (Gear Acquisition Syndrome) what would I actually own.

First of all formats.  Which formats would I own.

• Large Format
• Medium Format
• Small Format

Yes I would own them all.  No one camera can do all tasks well.

Large Format:

Ebony 45SU

 

Theres not a lot of difference between this model and my current 45S, this slightly more flexible and easier and faster to use.  I might add a PhaseOne digital back.  This is my ideal landscape camera.

 

Medium Format:

Part of me wants to say my current Hasselblad with a digital back which in many ways is a good solution for landscape work, the back could also be used on the Large Format Camera.  I want a Medium Format Camera for Weddings and Studio work, as fast to use as an SLR, so my choice is the Leica S.

 

Small Format:

With having the Leica S, then my Small Format camera would actually be several cameras.  First an SLR for Wildlife and Macro work.  Its a tough choice, I prefer Nikon to most other manufactures and it would between the D4 and the D800e, one might even have both, the D4 for wildlife and the D800e for Macro work.  A camera such as the D300s may possibly be a good choice to cover both areas but it getting a little old now and is ready for replacement.  I would be interested in how the D800 handles wildlife, is the frame rate and noise performance good enough.  I don’t know but I feel some testing is going to have to be done.

Next my high quality small mirror-less option, this is going to be a surprise for many but it would be the Leica Monochrom, yes a Black & White only camera.

Finally a Compact and I think it would be Sony RX1, a full frame compact.

So those would be my choices if money was no option.

 

I know a number of photographers who having been thinking long and hard about their gear choices.

Many are downsizing from large heavy DSLR’s to mirror-less, and there is now a mirror-less option for most people, but sometimes one camera cannot do everything.

What do I photograph?

Well my professional work is quite a mix, from model portfolios like the shot below:

to weddings, portraits and even some event photographs like the shots below.

My personal work is landscape especially architectural landscapes and street photography, with a bit of wildlife and macro thrown in for good measure.

 

Now if you wanted to pick just one camera to do all this work then a professional DSLR would do the job but there are better choices.

Lets look at those subjects again.

• Model Portfolios – Studio Work

I do a lot of studio photography, for myself as well as portraits for people and models. Your after quality, mega pixels, sharpness, a camera that can shoot quickly to respond to a sudden expression that might appear, but as studio flashes recycle slowly fast recovery and fast frame rate are not necessary.

I use an DSLR and keep thinking about upgrading to a D800 to gain the extra mega pixels but a Medium Format Camera would be the best choice. Now I own a Hasselblad Medium Format Camera but currently cannot justify the cost of a digital back. If money was no option then I would add a Leica S with a wide angle lens and a mid telephoto lens.

• Weddings

Before digital most professionals used Medium Format, now its mainly Canon shooters with the great 5D; since the Nikon D3 and its high iso performance many now also use these. It can be dark in some of these churches. Shooting people can be an art and its interesting how people react to large cameras, a big digital SLR can put people off. Thats where Medium Format cameras with waist level finders come in, they can relax people more.

• Event Photography

This depends on the subject, I have shot parties, corporate events, even horse riding. Here a good all rounder is needed and no camera is a better all-rounder then the Digital SLR.

 

• Landscapes

For landscapes think big. Medium Format or even Large Format. Tilt and shift lens or a camera with movements can also help. Here I use either my Hasselblad or Ebony.

• Street Photography

For years people have used Leica’s for this. There is something to be said for a small camera. People react better. I know a professional studio photographer who uses a Leica in the studio instead of his digital Medium Format Camera. He feels the models react better. I also know a Wedding photographer who uses a Leica for the same reason. Also if shooting during the ceremony mirror-less cameras like the Leica are very quiet.

• Macro Photography

Here the SLR rules, while some do use medium format and there are work-arounds available for others and live view is a major advantage to this kind of work.

• Wildlife

Once again the SLR is king. There may be certain subjects where other cameras may give you an advantage generally the SLR rules. While you can sometimes get good images like the one below which was taken with a Nikon D200 and a 200mm f/2.8 lens with a x1.4 teleconverter, bigger is better, and a Nikon D3s with a 800mm f/4 lens is hard to beat.

 

So what cameras should I own

• Model Portfolios – Studio Work

Best: Medium Format
General: Digital SLR
Alternative: Mirror-less

• Weddings

Best: Medium Format
General: Digital SLR
Alternative: Mirror-less

• Event Photography

Best: Digital SLR
General: Mirror-less

• Landscapes

Best: Large Format
General: Medium Format
Alternative: Digital SLR or Mirror-less

• Street Photography

Best: Mirror-less
General: Digital SLR
Alternative: Medium Format

• Macro Photography

Best: Digital SLR
General: Medium Format
Alternative: Mirror-less

• Wildlife

Best: Digital SLR
General: Mirror-less
Alternative: Medium Format

Looking at this list and what I shoot professionally and personally, then a digital Medium Format Camera is what I should be using for most of my work, with possibly a Leica acting as the mirror-less option.

Problem with all that is cost. With good digital Medium Format cameras at £20k and the lens at £5k a pop its just not an option. So I will keep looking at second hand digital backs to add to my old Hasselblad. Until then I will continue to use the good all rounder, the SLR. I will start using the Leica for none essential work as the quality is very high, but its slower and sometimes automation can help.

For Landscapes, using film on my Medium Format and Large Format Cameras is still a good option, even using the Leica is a good choice.

Looks like an excuse to keep all my current cameras!

I would like to replace one of the D200’s, there are getting old now and the ISO performance when shooting Weddings and Wildlife is not always what I would like, but what with? Well thats a discussion for another day.